
Common and Sacred
Roger Cramer
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I am indebted to Bud Wilkinson for opening
and guiding me into the holy place where spirit and clay connect. Although many others have added
insight and nuance to this calling, Bud was the portal through which my heart first took
flight.
Bud Wilkinson was the potter of Dayspring and retreat leader there, with his wife, Carol,
from 1965-2001.
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located in Gaithersburg, Maryland is a ministry of the Church of the Savior
in Washington, DC. You can see Bud here at his wheel and read about my "Damascus Road" event.
Thanks, Roger
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Fable
written May, 1971; edited, August, 2003
There was once a young man who was quite angry: angry at his colleagues and friends,
his parents, himself and the world in general. Frustrated because he was never completely
satisfied with his own words and deeds, always questioning the words and actions of others,
always examining the meaning of this experience, of that deed, of the values that others
assigned to the world around them.
And because of harboring these feels for such a long time, the young man's body and soul
actually began to be crippled.
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There was once also a man of some ago who had left his home in the city to live in the
countryside, close to the thick green rush of hills and woods and gentle winding
footpaths. This older man, very much at home in the silence of the countryside, was by
vocation a potter.
One day, almost by accident, the young man happened to visit the older man at his
workshop. "Go down to the potter's studio," he was told, "you might learn something." When he
arrived the potter was busily throwing his pots for the next firing, centering the
clay, throwing it, giving it shape, removing it from the wheel. Almost immediately
the young man began to talk to the potter, but was soon stopped short by the words of
the potter himself, "Feel free to talk to me all that you want and I will listen.
But do not expect me to answer you while I'm at work on the wheel."
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And so it began. The young man slowly unfolded the many questions
he had concerning the meaning of his life, - especially the anger he held in subtle
shapes against his colleagues and friends, against himself, against the world in general.
And the potter listened as he threw his pots, centering the clay, opening and hollowing
space, cutting the vessel from the wheel, refusing still to answer the young man's
anxious questions.
Finally, it grew late in the day and the young man returned to the city.
But it was not long until he returned to the potter's house, again to unfold his story
and be heard, again to watch the hypnotic motion of the potter's hands, again to go
away without answers. Several times this encounter took place like the opening and
shaping of the clay itself.
On returning from the last visit with the older potter, the young man, still with
anger, though softened, in his heart and still with many unanswered questions,
sought out and found for himself some clay, a potter's wheel and a teacher.
Then he too began the struggle to center the wobbling clay and throw a few small pots,
though for a long time very poorly. But slowly as his work with clay progressed,
so did his quest to understand the feelings within himself. Throwing the clay,
shaping this gray-green earth for fire, healed the wholeness that was in him.
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